[PLACEHOLDER: Professional headshot
â warm, editorial treatment]
Recognition
Tehan Family Faculty Award
Nominated and elected by peers â awarded to the faculty member who most exemplifies an Ignatian educator, demonstrating leadership and mentorship.
2017â18 Academic Year
Audrey & James E. Jack Humanities Award
Awarded to the Jesuit faculty member who best engaged in authentic cross-departmental collaboration in service of the school's mission.
2016â17 Academic Year
About Joe
From craft to systems â
a designer who builds
what others build with.
I came to design through the graphic arts â the kind of foundation where you develop strong opinions about typefaces before you know what a design system is. A BFA from TCU, a Computer Graphics class in high school that I never fully recovered from, and a brief post-2008 detour into banking that confirmed, conclusively, that I needed to be making things.
For a decade, I built and led the art and design program at Jesuit College Preparatory in Dallas â starting as an in-house designer and communications director, eventually running the department, managing student publication teams, and developing new courses in photography, graphic design, and studio art. What I learned there is something I've carried into every role since: the hardest design problem is rarely the aesthetic one. It's getting an organization to do something consistently, across people, over time.
That's what pulled me toward systems. When you're advising a team of fifteen students on a 400-page publication and your name is on the cover, you learn very quickly that taste alone doesn't scale. Infrastructure does.
Since joining LeadsOnline in 2024, I've been applying that same instinct to a much larger problem: designing a global brand system for investigative software used by law enforcement, building the internal tools that let non-designers create brand-compliant materials, and designing the product interfaces that investigators actually use to do their work.
The AI-assisted tooling has become the part of my work I'm most interested in right now â not because it's novel, but because it's the clearest example I've found of using design to multiply the creative capacity of people who aren't designers.
Career Arc
July 2024 â Present
Senior Product Designer & Creative Systems Lead
LeadsOnline â Plano, TX
Aug 2014 â July 2024
Art & Design Department Team Lead
Jesuit College Preparatory School â Dallas, TX
Aug 2011 â Aug 2014
Asst. Director of Communications & Art Director
Jesuit College Preparatory School â Dallas, TX
Aug 2006 â Present
Freelance / Contract Design
Selected clients: LeadsOnline, Splash Sports, D.O.T.S., JA of NW Ohio, Cardinal Stritch, Contemporary Theatre of Dallas
Dec 2008
BFA, Graphic Design
Texas Christian University â Fort Worth, TX
How I Work
Systems over artifacts
Any individual thing I make will eventually become outdated. The system that governs how things are made â the guidelines, the infrastructure, the tools â outlasts any single deliverable and multiplies impact across teams.
Autonomy requires scaffolding
The best creative work â from students, from colleagues, from non-designers using tools I've built â happens when people have the freedom to make decisions and the structure to make them well. Those two things aren't in tension. They're interdependent.
Push back early, align completely
I'd rather have the difficult conversation about direction before a project starts than make beautiful work that solves the wrong problem. Once we agree on what we're building, I'm fully committed to executing it well â which is easier when we've actually agreed.
Education & Development
BFA, Graphic Design â Texas Christian University
2008
Design Thinking Institute Workshop â Stanford d.school
2019
Ignatian Leadership Development â Jesuit Schools Network
2023